2:00 PM – 4:30 PM Saturday 13 October 2018
THE SESSIONS BELOW ARE BOOKED AS A SINGLE EVENT
SESSION 1: 2:00 PM–3:00 PM
WRITERS ON THE OPERA HOUSE
Susan Wyndham (journalist, author, and former literary editor of The Sydney Morning Herald): moderator; with Helen Pitt (The House), Kristina Olsson (Shell), Anne Watson (The Poisoned Chalice: Peter Hall and the Sydney Opera House).
Authors of new works on the Sydney Opera House – a journalist, a novelist and an academic – take on the intriguing story of the Opera House’s construction on the 45th anniversary of its opening in October 1973. We learn new details of the controversy surrounding Jørn Utzon’s design, delve into the tragic story of architect Peter Hall, who took on the project after Utzon’s resignation, and discuss a novel that takes the tumultuous ‘60s and the Opera House as its backdrop.
AFTERNOON TEA: 3:00 PM–3:30 PM
Tea and coffee are served with an assortment of pastries, fruit, canapés and other gourmet bites in the SCCI garden courtyard.
SESSION 2: 3:30 PM–4:30 PM
WOMEN IN ARCHITECTURE: MAKING CHANGE
Andrew Cameron AM (arts philanthropist and qualified architect): moderator; with architects Penelope Seidler AM (Harry Seidler & Associates), Abbie Galvin (BVN), Camilla Block (Durbach Block Jaggers)
Early to mid career and distinguished architects discuss their experiences as women in a profession with a high level of gender inequality. What are the challenges and barriers faced, and how can these be addressed structurally within the architecture profession in a way that promotes positive change, acknowledges the often neglected contribution of women historically and in the present day, and enables women to flourish and take their rightful place alongside their male counterparts?
Followed by the short film:
Unknown New York: The City That Women Built
Directed by: Beverly Willis, USA, 2018, 17 mins
How many buildings in New York City were built by women? A new film directed by Beverly Willis, FAIA, founder of the Beverly Willis Architecture Foundation, answers this question. The fifth film to be released by Willis in the past eight years, this 17-minute documentary introduces prominent women architects, engineers and builders who have played integral roles in creating New York City.
“Women architects and builders have been shaping the skyline of New York City for decades, but very few have been recognized for their accomplishments,” says Cynthia Kracauer, AIA, executive director of the foundation. “With this film, we hope to not only showcase the work of these inspirational women, but also to inspire more young women to enter these professions." Cynthia Kracauer, text by Wanda Lau, Architect Magazine, June 2018
Sherman Centre for Culture and Ideas (SCCI) gratefully acknowledges BVN for its generous support of women professionals' participation in SCCI Architecture Hub 2018, helping ensure greater than 50% representation.
SCCI gratefully acknowledges Nelson Meers Foundation for its generous support of Architecture Hub 2018 Film Programme.
The production of this session was supported through the Woollahra Council Community and Cultural Grants Program.
- Bookings are essential
- Tickets are free
- However, if you book and don't attend your credit card will be charged $40. (Tickets are transferrable if you can't make it).
This ticket covers Session 1, Session 2 and the film screening. This event is booked through SCCI.
To book, please call Daisy on (02) 8376 0850 between 10 AM – 6 PM, Monday to Friday, or email firstname.lastname@example.org.
Susan Wyndham is a journalist, writer and former literary editor of The Sydney Morning Herald. She is the author of Life in His Hands: the true story of a neurosurgeon and a pianist, editor of My Mother, My Father: on losing a parent, and a contributor to several books. Her current work includes reviewing books for The Australian, the New York Times and other publications, moderating literary events and judging book awards.
Helen Pitt is a Sydney Morning Herald journalist who has worked as the opinion and letters editor at Australia’s oldest daily metropolitan newspaper where she began her career in 1986. She has visited Denmark twice researching her book, The House about the Sydney Opera House published by Allen and Unwin (2018). She has worked as a writer for The Bulletin magazine, in California for New York Times Digital, and in France as a television reporter at Euronews. In 1992 she was selected to take part in the Journalists in Europe program in Paris. Her feature writing has won the Austcare Media award and been highly commended in the UN Media Peace prize.
Kristina Olsson is the author of the novel In One Skin (2001) and the biography Kilroy Was Here (2005). Her second novel, The China Garden (2009), received the 2010 Barbara Jefferis Award for its empowering depiction of women in society and was also shortlisted for the Kibble Literary Award. Kristina’s non-fiction work Boy, Lost: A Family Memoir (2013) won the 2014 Kibble Literary Award, the 2014 NSW Premier’s Literary Award Douglas Stewart Prize for Non-fiction, the 2013 Queensland Literary Award for Best Non-fiction, and the 2014 Western Australia Premier's Book Award for Non-fiction. It was also shortlisted for the 2014 Stella Prize, the 2014 Victorian Premier's Literary Awards for Non-fiction, and the 2013 Australian Human Rights Commission Literature Award. Kristina’s journalism and non-fiction have been published in The Australian, The Courier-Mail, The Sunday Telegraph and Griffith REVIEW. She has worked extensively as a teacher of creative writing and journalism.
Dr Anne Watson
Anne Watson has an MA (Fine Arts) and a PhD (Architecture) from Sydney University. She was formerly curator of architecture and design at the Powerhouse Museum and has been an independent curator/writer since 2008. The curator of many design exhibitions, including ‘Utzon’s Masterpiece: the Sydney Opera House’ at the Utzon Center, Aalborg, Denmark in 2008, she has also been the author/editor of a number books, notably Beyond Architecture: Marion Mahony and Walter Burley Griffin in America, Australia and India (1998); Building a Masterpiece: the Sydney Opera House (2006/2013); and Visionaries in Suburbia: Griffin Houses in the Sydney Landscape (2015). Most recently she published The Poisoned Chalice: Peter Hall and the Sydney Opera House (opusSOH, 2017) based on her 2014 doctoral thesis.
Andrew Cameron AM
Andrew Cameron is a highly regarded arts supporter, philanthropist and advocate and collector.
He is currently Chair of Art Gallery NSW Foundation and Chair of Artspace Visual Arts Centre. He is also a board member of the Sydney Festival. He sits on the International Council of the Tate in London and on the International Council of MoMA in New York. He has previously been Deputy Chair of the Biennale of Sydney, Chair of Belvoir Theatre, and was Deputy Commissioner for Australia’s presentation at the Venice Biennale in 2005, 2007 and 2009.
He studied architecture at University of Sydney where he graduated with First Class Honors and the University Medal in 1981. He subsequently completed an MBA at the Australian Graduate School of Management.
He was awarded an AM in the Australia Day honours list in 2014 for “significant services to the arts - particularly the visual and performing arts and for philanthropy.” He and his wife Cathy were jointly awarded National Arts Philanthropist of the Year in 2017 by Creative Partnerships Australia.
Penelope Seidler AM
Penelope Seidler AM LFRAIA, is the CEO of Sydney-based architectural firm Harry Seidler & Associates; a Life Fellow of the Royal Australian Institute of Architects, since 1983, RAIA Wilkinson Award 1967, joint winner with Harry Seidler for their own house in Killara, now listed on the NSW Heritage Register and RAIA National Interior Architecture Award 1991, joint winner with Harry Seidler for Penthouse, 2a Glen Street, Milsons Point.
Seidler studied for her Bachelor of Architecture at the University of Sydney and was registered as an architect in 1964. She joined Seidler and Associates that year as architect and financial manager. Seidler was a Founding Member of Chief Executive Women (NSW) from 1990 to 2005.
In 1971 Seidler joined the Art Gallery of NSW Society's council being one of the first "volunteer guides" to show visitors around for a group of women who undertook a year's high-level training in the arts, which was an educational initiative where the gallery's popular lecture series grew.
Penelope Seidler has sat on the International Council of the Museum of Modern Art in New York since 1973, and the National Gallery of Australia Council 1984-1990, shewas a Biennale of Sydney director 2010-18 and was on the Australian Commissioners Council
for the world's largest contemporary art exhibition, the Biennale of Venice from 2005 – 2013. She is now a board member of Sydney Living Museums.
Abbie Galvin is currently a Principal, Director and shareholder of BVN, one of Australia’s largest and most highly acclaimed architectural practices.
Abbie has worked for over 25 years on public, educational, health, research and workplace projects that have been highly awarded, published and recognised internationally for bringing fresh approaches to common project types.
Amongst her portfolio of work are the new Northern Beaches Hospital, the Cancer Research Institute for the UniSA, Taronga Zoo Upper Entrance Precinct, the Braggs Research Institute for the University of Adelaide, Stockland’s Headquarters, The UTS Campus 2020 Masterplan, the HMAS Creswell Redevelopment in Jervis Bay, The National Life Sciences Hub at Charles Sturt University Wagga Wagga and two of NSW’s largest Public Private Partnerships (RNS and NBH Hospitals).
Abbie is a firm believer that building typologies benefit enormously from exposure to other sectors, that experts in their field always have something to learn from the amateurs and that the core of innovation comes from cross disciplinary expertise.
Abbie is passionate about the public domain, and the ability of architecture and our built environment to positively affect human behaviour, the way people interact, and the manner in which institutions and organisations operate.
Abbie has been involved with the profession, the Institute of Architects and the Board of Architects for many years, and is a regular member of Australian and international juries and panels. She is a member of the Eminent Architects panel for the World Heritage Listed Sydney Opera House and a member of the NSW State Design Review Panel.
Camilla Block graduated from the University of Sydney with a Bachelor of Architecture (Hons) in 1991, and joined Neil Durbach in practice in 1992. In 1998, the office of Durbach Block Architects was established. Camilla has been a design principal in all of the major projects of Durbach Block Jaggers, including Tamarama House, UTS Thomas Street Science Building, Roslyn Street Kings Cross, the Brickpit Ring, Homebush Bay, North Bondi Surf Life Saving Club, House Holman, House Spry, Commonwealth Place, Canberra and Sydney Amenities Buildings Homebush Bay.
Durbach Block Jaggers has received a number of awards for residential, commercial and institutional work, including the Robin Boyd AIA National Award for Residential Architecture and AIA Wilkinson NSW Award for Residential Architecture three times.
Camilla Block has taught, lectured, exhibited, judged awards and been published both nationally and internationally. In 2014, Camilla received an Honorary Appointment as Adjunct Professor from UTS: University of Technology, Faculty Design Architecture and Building.